"Paselk Flitters around the space with charming intelligence ... "

Theatre Is Easy: Overruled by George Bernard Shaw

Overruled’s cast features strong performances, particularly from the two wives, Mrs. Lunn (Claire) and Mrs. Juno (Paselk). Paselk flitters about the space with a charming intelligence. 

"Especially fine among the singers was Tamra Paselk, soprano."

New York Times: Reimagining a Magical Pastoral Tale in an Urban Forest. 

Dell’Arte’s The Fairy Queen was a hugely ambitious and delightful production. Especially fine among the singers on Friday were Noelle McMurtry and Tamra Paselk, sopranos; John Callison, baritone; and Andy Berry, bass.  Full Review at New York Times.

"Standing out was Tamra Paselk's gorgeous soprano instrument."

Broadway World: dell'Arte Ensemble's The Fairy Queen is Whimsical and Mirthful

This cast keeps us smiling at all times. They even break the fourth wall with dexterity, reminding the audience from time to time that as observers we are still an important part of the production. What makes the piece really click, though, is the expertly played and sung music. Music Director Jeffrey Grossman captivates the audience with the baroque nature of Henry Purcell's compositions. With gusto we are captivated by the intricate layering of chords through deliciously staccato sections of the music. The performances of the arias and ensemble pieces are alluring … As a full ensemble, the entire acting and singing casts really deliver strong and interesting performance …standouts from the large company include Amanda Goble's youthful and incredulous Hermia, Andy Berry's poetic hipster, John Callison's striking baritone instrument as Cobweb, Nathan Létourneau's gorgeous tenor voice as Moth, Brennan Hall's Mustardseed, and Tamra Paselk's gorgeous soprano instrument.

Full Review at Broadway World.

"Tamra Paselk's poignant 'See, Even Night Herself is Here' ... "

Opera News: The Fairy Queen

The vocal ensemble was first rate. Among the most notable individual performances were Andy Berry's profound rendition of the bass aria, "Hush, No More" and Tamra Paselk's poignant "See, Even Night Herself is Here.

"Tamra captured the Baroque style with pure tones that floated beautifully in the upper register."

Voce di meche: Feathers, Fur and Fruit

It must have been a challenge to find performers who could sing and dance as well.  All the voices were fine but we were most impressed by the sopranos, Noelle McCurty (who we had reviewed before) and Tamra Paselk (who was new to us).  They captured the Baroque style with pure tones that floated beautifully in the upper register.  

Full Review at Voce di meche.

"Tamra Paselk sang with Baroque style and expressive panache."

Opera Magazine: Summer of Shakespeare

Dell’Arte’s The Fairy Queen flowed choreographically with uncommon energy and grace: Christopher Caine's had moulded the 11 singers into an amazingly compelling ensemble, moving and interacting splendidly as a Hair-like 'tribe' inhabiting Central Park.